What makes a perfect kinbaku photograph?
Three intense days in Copenhagen, a dark room full of ropes, flashes, nervous riggers and sweating bodies – and Sugiura Norio in the middle of it all, moving like a dervish. Watching him work made me realise how little the magic of Kinbaku photography can be reduced to camera settings, lighting or technique. We came home exhausted, inspired and with one question still unanswered: what makes a Kinbaku photograph truly come alive?