A good session happens when things develop according to the mood, emotions, intentions, etc. without being limited by technical problems.

Practice | Research | Session

In this article I wanted to think (out loud) about a very important topic, one I basically address every beginner’s coaching: separating exercise from sessions. This is very important to know, in which modality we are right now. But today I want to go beyond that dichotomy – to expand that concept for more advanced students.

So, if you have been in the beginner’s WS, I advise you to separate exercise and session. Often enough we do not do that…

But actually, we have to talk about three forms:

  • Exercise
  • Research
  • Session

Exercise

By exercise I mean the exact repetition of the exact form. Painting by numbers. The Kata-ashi practiced exactly as shown in the workshop. Five each of Futomomo, Ashi-shibari, Gote, and Armbinder a week…

No variation, no improvisation. The picture is a Karate-ka… Moving forward in a marching block – all do the same punch, kick, block. Not funny – but this is the only way the body gets used to the movement. This is the only way the rope flows out of our hands…

Research

I would like to reintroduce this modus to operate Kinbaku. Because that is what we should do when we are not beginners anymore – but no master’s yet (and who is).

Research means taking controlled steps into the unknown. That is the exciting thing: controlled and unknown. These two antagonisms must be united. Too much control, we become stiff, dogmatic, boring. This is in a way the unspoken “reproach” to all that “Ryu”. Especially the modality “we” reproduce here in Europe, there is a tendency towards becoming schematic (in my opinion).

But the unknown is risky. Too much too quickly leads to injuries – especially if the basics are not right.

That’s why the laboratory exists. This is the core of it. Being safe enough to leave the rigid forms.

Session

In my opinion, the session is the goal. Why else would we go through the trouble?

A good session happens when things develop according to the mood, emotions, intentions, etc. without being limited by technical problems. That is the ideal!

Practically, this means staying a little bit below the absolute knowledge and performance limit available at the moment.

So, in my opinion, when we advance in our knowledge, we need all three modalities to “practice” Kinbaku. Or, in other words, only keeping exercise alive plus adding certain research will make the session good!

MORE POSTS

Meditation about the waist rope

A waist rope is never just a technical rope. It controls the centre of the body, can become the foundation of a suspension and, at the same time, deliberately creates discomfort and vulnerability. In our style of Kinbaku, it is one of the most versatile ropes – and one of the most essential elements of semenawa.

Practice | Research | Session

When we practise Kinbaku, what are we actually doing? I believe we need to distinguish three very different modes: exercise, research and session. Exercise is where we repeat what we know. Research is where we take controlled steps into the unknown. Session is where we let go of both and allow something to happen between two people.

Free space and structures

Move the hips. Lower the shoulders. Add tension to one foot – and suddenly a completely different figure appears. Kinbaku positions are not isolated shapes but points within a much larger space of possibilities, defined by physics, anatomy and aesthetics. Kata helps us learn to navigate this space. The interesting question is what happens when we begin to move beyond it.

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For Alexander, Kinbaku became the natural meeting point of lifelong interests in Japanese culture, scientific inquiry, aesthetics and embodied practice.

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